Most screenwriters treat character flaws like personality traits. Something the character "has." Hot-headed. Closed off. Self-destructive. The problem is that traits describe. They don't drive.
This 75-minute recorded workshop reframes everything. A flaw that actually works on screen isn't a trait, it's a belief system your character developed because it kept them safe. Once you understand the difference, every scene you write changes.
The recording covers the belief-based flaw framework in full, the identity vs. essence distinction that creates every genuine character arc, and a live diagnostic of real projects from writers in the room. You'll also receive the two supplemental PDFs shared during the session: the Flaw as Belief Worksheet and the When Harry Met Sally Flaw in Action breakdown.
This is not an introductory screenwriting class. It's built for writers who are actively working on a draft and suspect something isn't quite working with their character, but haven't been able to name what it is.
Watch it once to understand the framework. Watch it again when you're mid-draft and stuck. It'll tell you something different the second time.
Includes: 75-minute recording + Flaw as Belief Worksheet + When Harry Met Sally Flaw in Action PDF